The raised finger

Master Ju Zhi, it is reported to us,
Was a quiet, gentle type and so modest
That he completely gave up words and teachings
For words are appearance, and all appearance
He was determined to avoid.
So, when many pupils, monks and novices
Were happy to indulge themselves
In noble rhetoric and flashing insights
Into great topics, he kept a quiet guard
For every excessive exuberance.
And when they came to him with all their questions,
Both frivolous and serious, about
The meaning of the scriptures, the Buddha names,
Enlightenment, the world’s beginning 
And its decline, he remained silent,
Just quietly pointing upwards with his finger.
And this wordless, eloquent finger pointing
Was ever more intimate and admonishing:
It spoke, taught, praised, punished, pointed so close to
The heart of the world and of truth, that then
Afterwards many followers understood
This finger’s gentle urging, shook and woke up.

Der erhobene Finger
Hermann Hesse, 15 January 1961

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Hesse dedicated this poem to Wilhelm Gundert, one of his cousins who was a distinguished professor of Japanese studies and translator of the ‘Hekiganroku’ koan collection, the ‘Blue Cliff Record’: Case 19 of which deals with Ju Zhi’s ‘one-finger Zen’.

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